Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.  Related Paintings of Lorenzo Monaco :. | Adoration of the Magi (mk08) | The Crucifixion (mk05) | The Coronation of the Virgin with Saints and Angels The Annunciation and The Blessing Redeemer | Incidents from the Life of Saint Benedict | The Coronation of the Virgin (nn03) |
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Thomas De Keyser
1586-1667 Dutch Thomas De Keyser Gallery De Keyser excelled as a portrait painter, and was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt. His portraiture is full of character and masterly in handling, and often distinguished by a rich golden glow of color and Rembrandtesque chiaroscuro. Some of his portraits are life-size, but the artist generally preferred to keep them on a considerably smaller scale, like the famous Four Amsterdam burgomasters assembled to receive Marie de Medici in 1638, now on display at the Mauritshuis museum in The Hague. In addition to portraits, he also executed some historical and mythological pictures, such as the Theseus and Ariadne in the Amsterdam town hall, now the Royal Palace. De Keyser also worked as an architect. From 1662 until his death in 1667 he oversaw construction of the new Amsterdam town hall, now Royal Palace. De Keyser was a son of the architect and sculptor Hendrik de Keyser. We have no definite knowledge of his training, and but scant information as to the course of his life. Aert Pietersz, Cornelis vander Voort, Werner van Valckert and Nicolas Elias are accredited by different authorities with having developed his talent. In the 1640s, de Keyser received very few painting commissions, and was forced to seek income elsewhere. He owned a basalt business from 1640 until 1654, when he returned to painting. The Rijksmuseum in Amsterdam has the largest collection of paintings by de Keyser. His work can also be seen at the Louvre in Paris, the Metropolitan Museum of Art in New York City, the Hermitage in Saint Petersburg and the National Gallery in London, among others. The Stedelijk Museum modern art museum in Amsterdam carries a statue of de Keyser on its facade. A street in Enschede is named for him. A contemporary namesake of the painter was Thomas de Keyser (Utrecht, 1597-1651), an actor and nephew of Hendrick de Keyser.
Charles S. Dorion
Charles was most likely born in Quebec, Canada, and moved to New York City sometime after 1880. He had a publishing company called C.S. Dorion, and was the 8th company to publish Edgar Allan Poe's the Raven, in New York in 1881. PoliticsDuring the 1890s, Charles Dorian socialized with New York City's Social Democratic Party's elite, and used his quick tongue and self appointed crusading against injustice to help propel his friends political careers. His first noted case was in the summer of 1893, when bucket shops were becoming a rampant problem in the city, as these "bucket shops" specializing in stocks and commodity futures, as the terms of trade were different for each bucket shop.
Jacques Sablet
Jacques Sablet (1749 - 1803) was a Swiss painter. Son of a decorator and gilder from Lausanne, he studied with his father before moving to Paris in 1772; there he worked with Joseph-Marie Vien for three years. When in 1775 Vien was named director of the French Academy in Rome, Sablet accompanied him there. His ambition was to be a history painter, but facing competition from Jacques-Louis David and Pierre Peyron, among others, and lacking solid academic training, he could win no commissions. Instead he turned to portraiture , genre painting, and landscape painting. Most of his genre scenes depicted the city's everyday life and customs of the Campagna. Sablet shared a studio with history painter Hubert Drouais and was friends with Simon Denis. He fled to Florence in 1793 with the rise of anti-French sentiment in the Papal States, but perhaps because of the competition he would face there from Louis Gauffier he soon returned to Paris.